Tag Archives: expression of interest

Musical Interlude

new book jacket

new book jacket

Dropped off 21 ‘stock’ paintings to local sale room (David Lays) yesterday for their upcoming picture sale next month.  I’ve left a reserve that covers the cost of the frame so if they don’t sell I can at least recycle the frame.

Just read in one of the artist’s blog posts in Artists Talking, (‘an’ magazine) about being rejected by Axis.  I’m pleased I’m not the only one!  Rejection is a normal part of the critical times we live in.   We must just keep buggering on (as Churchill famously once said – I know I’ve quoted this before but it’s a favourite).  I’m going to apply to join the Newlyn Society of Artists ……hope I have more joy here.

Attended an inspirational symposium, The Work Of Art In Critical Times, hosted by UCF last week-end in their recruitment drive to enroll people on their new MA courses.  I decided, finally, I would bite the bullet and submit an expression of interest to do a research degree.

I now have a week before the submission deadline to come up with a compelling argument.  The last few days I’ve been thrashing about as I do at the start of any new project trying to transform the scrabbled egg bits of my brain into a calmly analytical, matter-of-fact missive, like this sort of thing is an everyday occurrence for me.  Which it’s not, especially when it matters….don’t want to fall at the first hurdle on this one.  I’ve written several drafts, each one trying to bore down closer to the truth, my truth, and chucking away great chunks of fluffy prose by engaging the ‘mind blinking’ parts of the brain to come up with the insight I need.  (Did you see that fascinating BBC Horizon program last evening about the Creative Brain?)  However, the closer I get to what I need to say, the more excited I become about the project.

Had a nice surprise this week.  Michael (see Deep Blue) sent me a picture of the new jacket for the book they have published, From Boulanger to Stockhausen (published by Boydell & Brewer, a small academic publisher based in Suffolk) with my image ‘Deep Blue’ on the front.  As Michael explained when discussing the book with the author, “…….I showed him the blue abstract on your web page and told him we should use something like that on the jacket, thinking he would ask one of his contacts in Hungary to find an abstract image.  Having seen it, Bálint has taken instantly to your painting and wants us to use that one on the book jacket.”

Of course, I’m delighted and I think the result looks great too.  I do hope it helps attract attention when they take it to the London Book Fair in April.  Here is his description of the book:

In From Boulanger to Stockhausen: Interviews and a Memoir, the Hungarian-born musician Bálint András Varga presents interviews with noted international figures in twentieth-century music. Varga’s subjects include such luminaries as György Ligeti, Eugene Ormandy, Alfred Brendel, Isaac Stern, Elizabeth Schwarzkopf, and Artur Rubinstein. The interviews are complemented by Varga’s memoir, a fascinating account of growing up in postwar socialist Hungary and of his career in radio and music publishing.

Stockhausen was a bit a controversial composer but I really like some of his more abstract ideas on phonics.  I’m looking forward to my complimentary copy!

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New Proposal

Whilst we wait for tiny baby Rose to play catch-up with life outside the womb in the postnatal ward, I received an email from Green Hill Arts in Moretonhampstead, a gallery I had discovered on a recent visit to Dartmoor.  They are asking for proposals of interest for hiring the gallery in 2013.  Thinking this would be a good opportunity to start working towards a fixed point in time, I started to cobble together some sort of cohesive proposal in less than 300 words.  Something along the lines of:

Fabric of the Land. (working title: Making Waves)

For this proposed exhibition at Green Hill Arts, I would like to show the outcome from various lines of enquiry that I am currently working on.  My focus, in particular, is on the elemental aspects that make up the very substance of the land: physical / non-physical; seen / hidden from view; experienced and imagined.

Still from Fade to Black

Recently, I have been using the human figure to explore the ‘thin veil’ that exists between the physical, material world of matter, and the spiritual, ethereal world of myth and the supernatural.  The result of this enquiry is a series of short videos exploring shadows as trace elements of human activity, using light as my medium.  (See ‘stills’ from Dip to White, and Fade to Black).  When combining ‘shadow’ imagery (absence of light) against other elements such as water, it gives the reflection of the human figure a fluidity of movement that distorts the image so that it no longer represents a true mirror but reveals potential for graphic and poetic responses as well as a range of historical references and meanings.

Still from Dip to White

Literal interpretations thus become abstracted into reflections (ponderings) on the distortions of waves of energy: in water, light (and air) and sound. The shadow itself is a displacement of light from the figure. As eddies and ripples vibrate around the solid objects of figure and boulders, the energy of the reflection becomes integrated into the energy of the water. The air also, is filled with refracted sound waves in a collision of gurgles and laps, bouncing and bumping into each other as they eddy and ripple around objects in their flow.

As I continue to explore this theme, both visually and philosophically, I envisage new work being realised in a range of media: anything from more video work, to mixed media which incorporates freehand machine ‘drawing’ on textiles – hence possible title.  I am very happy to share the exhibition with other artists working along similar lines of enquiry, although I shall probably have more than enough work to fill the space.

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