Musical Interlude

new book jacket

new book jacket

Dropped off 21 ‘stock’ paintings to local sale room (David Lays) yesterday for their upcoming picture sale next month.  I’ve left a reserve that covers the cost of the frame so if they don’t sell I can at least recycle the frame.

Just read in one of the artist’s blog posts in Artists Talking, (‘an’ magazine) about being rejected by Axis.  I’m pleased I’m not the only one!  Rejection is a normal part of the critical times we live in.   We must just keep buggering on (as Churchill famously once said – I know I’ve quoted this before but it’s a favourite).  I’m going to apply to join the Newlyn Society of Artists ……hope I have more joy here.

Attended an inspirational symposium, The Work Of Art In Critical Times, hosted by UCF last week-end in their recruitment drive to enroll people on their new MA courses.  I decided, finally, I would bite the bullet and submit an expression of interest to do a research degree.

I now have a week before the submission deadline to come up with a compelling argument.  The last few days I’ve been thrashing about as I do at the start of any new project trying to transform the scrabbled egg bits of my brain into a calmly analytical, matter-of-fact missive, like this sort of thing is an everyday occurrence for me.  Which it’s not, especially when it matters….don’t want to fall at the first hurdle on this one.  I’ve written several drafts, each one trying to bore down closer to the truth, my truth, and chucking away great chunks of fluffy prose by engaging the ‘mind blinking’ parts of the brain to come up with the insight I need.  (Did you see that fascinating BBC Horizon program last evening about the Creative Brain?)  However, the closer I get to what I need to say, the more excited I become about the project.

Had a nice surprise this week.  Michael (see Deep Blue) sent me a picture of the new jacket for the book they have published, From Boulanger to Stockhausen (published by Boydell & Brewer, a small academic publisher based in Suffolk) with my image ‘Deep Blue’ on the front.  As Michael explained when discussing the book with the author, “…….I showed him the blue abstract on your web page and told him we should use something like that on the jacket, thinking he would ask one of his contacts in Hungary to find an abstract image.  Having seen it, Bálint has taken instantly to your painting and wants us to use that one on the book jacket.”

Of course, I’m delighted and I think the result looks great too.  I do hope it helps attract attention when they take it to the London Book Fair in April.  Here is his description of the book:

In From Boulanger to Stockhausen: Interviews and a Memoir, the Hungarian-born musician Bálint András Varga presents interviews with noted international figures in twentieth-century music. Varga’s subjects include such luminaries as György Ligeti, Eugene Ormandy, Alfred Brendel, Isaac Stern, Elizabeth Schwarzkopf, and Artur Rubinstein. The interviews are complemented by Varga’s memoir, a fascinating account of growing up in postwar socialist Hungary and of his career in radio and music publishing.

Stockhausen was a bit a controversial composer but I really like some of his more abstract ideas on phonics.  I’m looking forward to my complimentary copy!

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4 Comments

Filed under my sketchbook pages

4 responses to “Musical Interlude

  1. That makes a fantastic book cover Caro – you should be very proud, xx

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    • Thank you David, I am. The funny thing is I called it Deep Blue because it had a deep ocean feel about it. Now it has that white slash through it, it looks more like a coastal landscape…..but it still works, I think. xx

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  2. A very lovely picture. The book won’t actually be out until October or so but will be featured, along with the original image, in our London Book Fair catalogue.

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  3. Your punters will just have to wait until October then! They’ll be champing at the bit to get hold of a copy by then. Best of luck with it all.

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